Ever since I started studying musicology, I've excelled at subjects as library sciences, transcription of historical notations, theory of historical interpretación, sociology, etc. My real interest, however, lies in the field of cognitive musicology, and in particular the perception of emotions in music. Being a person with alexithymia myself (difficulty or incapacity to distinguish and describe emotions) I would really like to investigate more in this field in the future.
Over the past years, I have delivered expositions on the concept of melody in Stravinsky's music, the composition process of my own clarinet quartet, the context of John Adams' opera The Death of Klinghoffer, the c minor scale in Beethoven, and females composers in Ancient Régime Europe. I'm currently working on my final thesis about the European reception of The Death of Klinghoffer in Brussels in 1991.
Over the past years, I have delivered expositions on the concept of melody in Stravinsky's music, the composition process of my own clarinet quartet, the context of John Adams' opera The Death of Klinghoffer, the c minor scale in Beethoven, and females composers in Ancient Régime Europe. I'm currently working on my final thesis about the European reception of The Death of Klinghoffer in Brussels in 1991.